Archive for the ‘Arts’ Category

Art.. on a building site

Monday, August 9th, 2010

View from the SouthWorld renown modern art gallery Tate Modern is set to get an extension.. and exhibit art on the building site as construction takes place.

With the existing structure already an icon, the new wing is also designed by the same architects as the original; Herzog & de Meuron (who have won the 2001 Pritzker Prize, the RIBA Stirling Prize in 2003, and the 2007 RIBA Gold Medal for their work) and will sit to the south of Tate Modern. It is designed to rise from behind the power station as a new statement on the famous Thameside skyline.

The new façade will use brick to match the surface of the existing structure, whilst at the same time creating something radically new and full of contrast – a brick lattice through which the interior lights will glow attractively as dusk turns to darkness. Windows and the terrace will appear as slashes in the brick surface to compliment the perforated lattice work effect. The building will rise 64.5 metres above ground over 11 floors, its height matching the iconic chimney of Giles Gilbert Scott’s power station.

To celebrate the beginning of the works for Tate Modern’s new extension, Swedish born visual artist Martin Karlsson created an installation on the 100-metre hoarding that encloses the building site as work takes place.

London – An Imagery 2008–9 takes as its starting point Gustave Doré’s gothic etchings published in 1872. The 123 drawings can be seen on the hoardings behind Tate Modern until December 2010, and show Karlsson’s take on Doré’s work in modern London.

The simple pencil drawings, all blown up and printed on weather resistant vinyl show Karlsson’s impressions of the city and update them in an almost “folkish way” he says, who points out that everyone has at some satge of their life produced simple pencil drawings.

Whatever your take, it seems Tate Modern is now displaying work outside as well as in – and suggests that maybe all building sites should become art installations!

See the short video here (2m45s)

http://www.tate.org.uk/go/tateshots_2010_07_karlsson.mp4

and the new Tate extension here
http://www.tate.org.uk/modern/transformingtm/design.htm

Lights, Camera, Action!

Thursday, July 8th, 2010
So how would you like to have some video that you’ve shot shown at the Sundance film festival after it’s been edited by Kevin Macdonald (who directed the Last King of Scotland) and executive-produced by Ridley Scott ( Who directed Gladiator, Alien, Blade Runner) Sounds a bit too good to be true, but Google is offering exactly this as part of it’s Life in a Day project.
The idea is to shoot your everyday life on 24th July and submit it to a special channel on YouTube.
Anything can be shot, but there are certain rules, like no trademarks, no music and no TV clips. Once everything has been submitted they will all be sifted through and the best bits will be edited together into a full length feature to be shown at the Sundance Festival.
Google say that this will act as a ‘time capsule that will tell future generations what it was like to be alive on July 24, 2010′
There’s a nice little feature and more information on the project here:
http://www.youtube.com/lifeinaday

dayinthelife
So how would you like to have some video that you’ve shot shown at the Sundance film festival after it’s been edited by Kevin Macdonald (who directed the Last King of Scotland) and executive-produced by Ridley Scott ( Who directed Gladiator, Alien, Blade Runner) Sounds a bit too good to be true, but Google is offering exactly this as part of it’s Life in a Day project.

The idea is to shoot your everyday life on 24th July and submit it to a special channel on YouTube.

Anything can be shot, but there are certain rules, like no trademarks, no music and no TV clips. Once everything has been submitted they will all be sifted through and the best bits will be edited together into a full length feature to be shown at the Sundance Festival.

Google say that this will act as a ‘time capsule that will tell future generations what it was like to be alive on July 24, 2010′

There’s a nice little feature and more information on the project here:

http://www.youtube.com/lifeinaday

A Night at the Opera

Thursday, July 1st, 2010
An Evening at the Opera
No, there’s not a new Browser option on the market! This week we’re talking about real opera, you know,  singing and acting. There’s been quite a lot of interest recently about opera  with television programs about Glyndebourne and the Royal Opera House. With the beautiful weather we’ve been experiencing, you can now combine experiencing both of them with the wonderful BP Summer Screens season.
All over the country large screens have been put up to show a live feed from the Royal Opera House’s performances – the latest being Verdi’s Simon Boccanegra. You might not have heard of the opera, but you will certainly have heard of the person sining the lead role: Plácido Domingo
The idea is to promote opera to a larger audience. The screens are set up all around the country and you can just turn up, find a space and watch (and listen!) for free. There are lots of other things to do if you get there early.
Check out the Royal Opera House website for details on when and where the performances will take place, the London event is on the 13th July and the screens are at Canary Wharf and Trafalgar Square.

bp
No, there’s not a new Browser option on the market! This week we’re talking about real opera, you know,  singing and acting. There’s been quite a lot of interest recently about opera  with television programs about Glyndebourne and the Royal Opera House. With the beautiful weather we’ve been experiencing, you can now combine experiencing both of them with the wonderful BP Summer Screens season.

All over the country large screens have been put up to show a live feed from the Royal Opera House’s performances – the latest being Verdi’s Simon Boccanegra. You might not have heard of the opera, but you will certainly have heard of the person sining the lead role: Plácido Domingo

The idea is to promote opera to a larger audience. The screens are set up all around the country and you can just turn up, find a space and watch (and listen!) for free. There are lots of other things to do if you get there early.

Check out the Royal Opera House website for details on when and where the performances will take place, the London event is on the 13th July and the screens are at Canary Wharf and Trafalgar Square.

Click here for the Royal Opera House Website

Moore To See

Friday, June 25th, 2010
It’s hard to think about visiting exhibitions in this sweltering heat that we’re experiencing at the moment, but remember, this is the UK, it’ll be raining next week! And if it is, we can think of no better exhibition to see than the Henry Moore at Tate Britain.
Moore was a prolific and prolifically talented sculptor who was born in 1898 in West Yorkshire. He pioneered the ‘truth to materials’ approach whereby sculptors carved directly into stone or wood and allowed themselves to be directed by the material rather than by traditional representation.
His work abstract work was always clearly figurative and he was inspired by people and their movements. During the war he was an official war artist and his sketches of people huddled in tube stations (that were used as air raid shelters) show his prodigious ability as a draftsman and enamored him to the general public.
As he got older so his work became larger and bolder – his bronzes became monumental and many can be seen in public collections today.
The Tate show has over 150 of his works along with some of those amazing war time sketches.
Henry Moore: Giant of 20th Century Sculpture can be seen at Tate Britain until August 08.
Click here for more information.

moore

It’s hard to think about visiting exhibitions in this sweltering heat that we’re experiencing at the moment, but remember, this is the UK, it’ll be raining next week! And if it is, we can think of no better exhibition to see than the Henry Moore at Tate Britain.

Moore was a prolific and prolifically talented sculptor who was born in 1898 in West Yorkshire. He pioneered the ‘truth to materials’ approach whereby sculptors carved directly into stone or wood and allowed themselves to be directed by the material rather than by traditional representation.

His work abstract work was always clearly figurative and he was inspired by people and their movements. During the war he was an official war artist and his sketches of people huddled in tube stations (that were used as air raid shelters) show his prodigious ability as a draftsman and enamored him to the general public.

As he got older so his work became larger and bolder – his bronzes became monumental and many can be seen in public collections today.

The Tate show has over 150 of his works along with some of those amazing war time sketches.

Henry Moore: Giant of 20th Century Sculpture can be seen at Tate Britain until August 08.

Click here for more information.

Louise Bourgeois

Tuesday, June 1st, 2010
The news yesterday of the death of the sculptor Louise Bourgeois was saddening to all lovers of contemporary modern art. Probably one of the last great artists, she spent the majority of her life relatively unknown. Only in her later years did she get the attention that her phenomenal creative power deserved.
Born in Paris in 1911 – her early upbringing inspired her whole life’s work, in particular the philandering of her father and her mother’s glossing over of it. She married, in 1938, an American art historian and emigrated in the same year. It was in New York in the 40’s that she turned to sculpture and her first retrospective was aptly at MoMa in New York.
How work was always deeply personal and emotional, sometimes explicit, other times insular and deeply loving. She became most famous for her work Maman an enormous steel and marble sculpture of a spider which represented her mother in that it alluded to the protective nature of spiders to their offspring.
This work was shown as part of the Unilever Series at the Tate Modern and it was there that she also had an incredible retrospective.
If you want to find out more about this remarkable artist then there’s a wonderful interview with her that the Guardian conducted which you can read here:
http://www.guardian.co.uk/artanddesign/2007/oct/14/art4

louiseb

The news yesterday of the death of the sculptor Louise Bourgeois was saddening to all lovers of contemporary modern art. Probably one of the last great artists, she spent the majority of her life relatively unknown. Only in her later years did she get the attention that her phenomenal creative power deserved.

Born in Paris in 1911 – her early upbringing inspired her whole life’s work, in particular the philandering of her father and her mother’s glossing over of it. She married, in 1938, an American art historian and emigrated in the same year. It was in New York in the 40’s that she turned to sculpture and her first retrospective was aptly at MoMa in New York.

How work was always deeply personal and emotional, sometimes explicit, other times insular and deeply loving. She became most famous for her work Maman an enormous steel and marble sculpture of a spider which represented her mother in that it alluded to the protective nature of spiders to their offspring.

This work was shown as part of the Unilever Series at the Tate Modern and it was there that she also had an incredible retrospective.

If you want to find out more about this remarkable artist then there’s a wonderful interview with her that the Guardian conducted which you can read here:

http://www.guardian.co.uk/artanddesign/2007/oct/14/art4

Raw

Friday, May 21st, 2010
You know that summer is finally here when Sainsbury’s sells out of disposable BBQ’s, everyone has their shorts and flip-flops on and the Royal Academy Summer Exhibition opens. The RA has run an open competition since 1769 and this year it’s the 242nd.
The show is open to anyone, simply submit two pieces of your art, pay your entry fee and wait for the good/bad news. As a result of this open submission policy, the show is a real mixture of styles (and some would say quality) but it’s this that makes it what it is.
There are six categories: paintings, prints, drawings, sculpture, architectural designs and models and virtually everything is for sale. The RA takes a commission on these sales and for an organisation that receives no financial help from the government, it’s a useful fundraiser.
Each year there’s a different theme and different judges – this year’s theme is ‘Raw’ and it should be interesting to see the various interpretations of these theme. There will also be new works from various Royal Academicians.
The show runs from 14 June—22 August 2010
Visit the RA site for more information
http://www.royalacademy.org.uk/exhibitions/summer-exhibition/

ra

You know that summer is finally here when Sainsbury’s sells out of disposable BBQ’s, everyone has their shorts and flip-flops on and the Royal Academy Summer Exhibition opens. The RA has run an open competition since 1769 and this year it’s the 242nd.

The show is open to anyone, simply submit two pieces of your art, pay your entry fee and wait for the good/bad news. As a result of this open submission policy, the show is a real mixture of styles (and some would say quality) but it’s this that makes it what it is.

There are six categories: paintings, prints, drawings, sculpture, architectural designs and models and virtually everything is for sale. The RA takes a commission on these sales and for an organisation that receives no financial help from the government, it’s a useful fundraiser.

Each year there’s a different theme and different judges – this year’s theme is ‘Raw’ and it should be interesting to see the various interpretations of these theme. There will also be new works from various Royal Academicians.

The show runs from 14 June—22 August 2010

Visit the RA site for more information

http://www.royalacademy.org.uk/exhibitions/summer-exhibition/

Pressure Drop

Tuesday, April 20th, 2010

idoc.ashx

Most people know Billy Bragg ( or the Bard of Barking as he’s known) for his no-nonsense socialist   beliefs, but of course there’s the softer side to him – the man who penned many a heart string tugging love song. Pressure Drop – at the Wellcome Collection sees a collaboration between him, maverick theatre makers On Theatre and playwright Mick Gordon.
The play is performed in the ‘Promenade’ the audience stands in a space with four sections – an east end pub, a front room, a funeral parlour and a stage. The actors walk through the audience between pieces of the set. All this is accompanied by Billy Bragg and his band.
The play explores what it is to be English and is powerful stuff with each character struggling to define themselves in an ever changing society.
It’s based on the ideas raised in Billy Bragg’s book the Progressive Patriot and Billy has written several new songs just for this play.
It’s a thought provoking and exciting production – and performed incredibly well.
The show is on at the Wellcome Trust until May 12th for more information visit:
http://www.wellcomecollection.org/whats-on/the-identity-project/play-pressure-drop.aspx

Most people know Billy Bragg ( or the Bard of Barking as he’s known) for his no-nonsense socialist   beliefs, but of course there’s the softer side to him – the man who penned many a heart string tugging love song. Pressure Drop – at the Wellcome Collection sees a collaboration between him, maverick theatre makers On Theatre and playwright Mick Gordon.

The play is performed in the ‘Promenade’ the audience stands in a space with four sections – an east end pub, a front room, a funeral parlour and a stage. The actors walk through the audience between pieces of the set. All this is accompanied by Billy Bragg and his band.

The play explores what it is to be English and is powerful stuff with each character struggling to define themselves in an ever changing society.

It’s based on the ideas raised in Billy Bragg’s book the Progressive Patriot and Billy has written several new songs just for this play.

It’s a thought provoking and exciting production – and performed incredibly well.

The show is on at the Wellcome Trust until May 12th for more information visit:

http://www.wellcomecollection.org/whats-on/the-identity-project/play-pressure-drop.aspx

Wild Thing: Epstein, Gaudier-Brzeska, Gill

Monday, December 14th, 2009
Wild Thing: Epstein, Gaudier-Brzeska, Gill
In the hiatus between the wonderful Anish Kapoor exhibition and the hugely anticipated Van Gogh exhibition, there’s still some magic to be seen at the Royal Academy. The Wild Thing exhibition, in the Sackler Wing Gallery, is a wonderfully packed show concentrating on three of the most important modern sculptors working in Britain in the early 20th century. Their join influence upon the future of British sculpture was massive.
Common themes run through the work, namely those of  sex, fertility, the human
condition, the machine age and the impact of war.
In particular interest, for us here anyway, was to see the reconstruction of Epstein’s Rockdrill. It’s a stunning (and huge) piece of work which, even today, has an incredible impact – it’s hard to imagine how it was received in it’s day.
If you’re not that impresses with sculpture there is another curiosity with one of the sculptors – namely Eric Gill. We all love the font Gil Sans …. well he designed it!
The exhibition runs until 24th October.
Www.royalacademy.org.uk

wild
In the hiatus between the wonderful Anish Kapoor exhibition and the hugely anticipated Van Gogh exhibition, there’s still some magic to be seen at the Royal Academy. The Wild Thing exhibition, in the Sackler Wing Gallery, is a wonderfully packed show concentrating on three of the most important modern sculptors working in Britain in the early 20th century. Their join influence upon the future of British sculpture was massive. Common themes run through the work, namely those of  sex, fertility, the human condition, the machine age and the impact of war.

In particular interest, for us here anyway, was to see the reconstruction of Epstein’s Rockdrill. It’s a stunning (and huge) piece of work which, even today, has an incredible impact – it’s hard to imagine how it was received in it’s day.

If you’re not that impresses with sculpture there is another curiosity with one of the sculptors – namely Eric Gill. We all love the font Gil Sans …. well he designed it!

The exhibition runs until 24th October.

www.royalacademy.org.uk

Vincent

Wednesday, November 11th, 2009
We’re very excited about the news of the Royal Academy’s upcoming exhibition of Van Gogh. Although probably the most well known of artists, Van Gogh still manages to charm both ‘tea-towel’ art lovers to serious academics. His short life of austerity and misery left us with not only an amazing collection of paintings, but also lesser know, an incredibly rich history of his art through his letters, mostly to his brother.
This exhibition has over 35 of his original letters and 65 paintings. It’s the first large exhibition of the aritst’s work for over 40 years and we’re renewing our Friends membership cards to make sure we don’t have to suffer the inevitably enormous queues!
Find out more here:
http://www.royalacademy.org.uk/exhibitions/vangogh/

Untitled-1

We’re very excited about the news of the Royal Academy’s upcoming exhibition of Van Gogh. Although probably the most well known of artists, Van Gogh still manages to charm both ‘tea-towel’ art lovers to serious academics. His short life of austerity and misery left us with not only an amazing collection of paintings, but also lesser know, an incredibly rich history of his art through his letters, mostly to his brother.

This exhibition has over 35 of his original letters and 65 paintings. It’s the first large exhibition of the aritst’s work for over 40 years and we’re renewing our Friends membership cards to make sure we don’t have to suffer the Inevitably enormous queues!

Find out more here:
http://www.royalacademy.org.uk/exhibitions/vangogh/

Turner-ing Heads

Friday, October 30th, 2009

turner

It’s that time of the year again when the notorious Turner Prize exhibition starts. Famous for it’s ability to split the public this year we have Enrico David,  Roger Hiorns, Lucy Skaer and Richard Wright.
It seems a little too close to call this year, but Lucy Skaer’s work has proved a favourite with us. She makes films and scultpures that use found material and take these things on a journey to the ultimate end as pieces of art.
The exhibition runs from 6th october until 3 Januray with the prize being awarded 7th December – let’s hope they keep Madonna away again this year…..
More about the turner prize here:
http://www.tate.org.uk/britain/turnerprize/

It’s that time of the year again when the notorious Turner Prize exhibition starts. Famous for it’s ability to split the public this year we have Enrico David,  Roger Hiorns, Lucy Skaer and Richard Wright.

It seems a little too close to call this year, but Lucy Skaer’s work has proved a favourite with us. She makes films and scultpures that use found material and take these things on a journey to the ultimate end as pieces of art.

The exhibition runs from 6th october until 3 Januray with the prize being awarded 7th December – let’s hope they keep Madonna away again this year…..

More about the turner prize here:

http://www.tate.org.uk/britain/turnerprize/